Pulling Words Apart to Smash Writing Together

I’ve been largely silent for a while from having a whole lot of editing on my plate. 2 novels and a chapbook of mine, things from other people, working on Gyroscope Review and the Press. Good thing I like editing. As much fun writing a new novel is, I really get into the flow when I settle in to edit. Multiple passes with multiple purposes. Right now, I’m eradicating weasel words from my novels. You know, words like “that” and “just” and “be able”, baggage words adding little to your prose because they’re part of our everyday speech and sneaky as hell.

Editing the novels also helps me edit poetry. The same thing happens there, lazy, non-freight bearing words creep in and somehow duck, dodge, and evade the editor’s knife. I’ve resorted to spacing poem lines 3-4 spaces (or more) apart, so I can only see one line at a time. It helps me find the bumpy places. It also forces me to think about what form I want the poem to take when it has no form at the moment. And still, unneeded words evade me. It’s nice when my writer’s group sees the problems in my blank spots. Then I can go about fixing them. The recommendations aren’t always in line with my vision, but they provide excellent ideas for revision.

I have a habit of not letting my work out to beta readers until it’s mostly done. I know you are supposed to get novels out to beta readers sooner, in case of plot holes, but I want my work as tight as I can get it before flinging it into the world. Then, if a plot hole needs to be patched, the whole novel is fresh in my mind and I can (usually) backfill and spackle over fairly easily. I know this method will probably come back and bit me in the butt someday. Most things do.

Trying Something New

It’s why I’ve come around to doing better outlines. Previous outlines have consisted of paragraphs of “this happens, then this, then this” and 10,000 words of backstory to help me find my way. I like my method and it works for me, but I see where a bit more stringent outlining will speed things along. I have an outline for editing. A checklist of stuff to evaluate and correct. Like weasel words. I’ve made one for editing poetry also, trying to address my blind spots. It’s a good method to try.

I know a lot of writers who only tolerate the editing stage of writing. I like editing, I think it comes from being an artist. I love the process, I’m a process person, not a project person. (Which doesn’t bode well for novel endings. Alas.) Teach me something new, and I’ll happily spend time puzzling it out. That’s what editing is to me, a great, big puzzle, or the boss level of a video game. What is editing like for you? I’m curious about other people’s methods—poetry, essay, or novel. What gets your editing brain in gear? Any advice?

Some of my other essays on editing:

Revising 101 (Housekeeping)

A Few Words on Revision

Self-Inflicted Wounds – Revising Poetry, Part I

Telling Little Stories – Revising Poetry, Part II

Here are some outside links to articles on weasel words in writing

Rocky Mountain Fiction Writers

The Wright Practice

Outside Links to Editing:

25 Rules for Editing Poems

The 12-Point Checklist for Poetry Editing

The Ultimate Fiction Editing Checklist

Fiction University

Can You Hear Me Now?

Let me say upfront, I’m not really a technophobe. I like technology. I like toys, bells, and whistles. I just don’t have very many. My car is 16 years old. It runs, which is all that matters but lately, I find myself longing for built-in GPS, Bluetooth, and a backup camera. It may have to do with getting older, or general frustration at not having the fun stuff like everyone else, or a bit of both. 

I don’t have the latest iPhone, but I have an older one. It was a change from the Android I was used to, but I’ve come to enjoy it, even though I don’t use near enough of the features available to me. I regard it as a tool, not a close friend. I use it to text, get GPS directions, and read my email, with occasional forays into the Internet to check in on Facebook, Twitter, and Instagram, mostly for Gyroscope Review. I’m proud of myself for once going on Amazon and actually buying something through the app. Progress! Phone calls? Only when I have to.

My kids live on their phones and do all social things, shopping, and banking on it. I just did the phone pic check deposit for the first time last week. I loved not driving to the bank after I got over my suspicion that the hefty check would disappear into the mist. So my phone is a useful tool, which makes me happy. I’m just not ready to live my life on it. Okay, maybe I’m 22% technophobe. 

Hear Me, Hear Me.

The thing I hate about the phone is its demands. They’ve wormed their way into my subconscious. When I’m out in public and I hear a certain ringtone or notification, I automatically check my phone, only to find out it’s someone else’s phone doing the demanding. I’ve been trained like Pavlov’s dog. As much as I like technology, I don’t want it to be my master. I assigned special ringtones to friends, relatives, and the doctor’s office so I know who’s calling in advance. I have a ringtone for ‘unknown caller’ so I can ignore it. The phone really hasn’t trained me, I’ve done it to myself. That’s the insidious nature of technology. It makes itself appear indispensable. 

It’s not. Not for me. Most texts don’t need an instant answer even though it feels like it. Hardly anyone calls, except for the doctor’s office and lawn care guy. We aren’t really traveling because—Pandemic—so GPS isn’t needed. Banking? I like that, that works for me. Shopping? Eh, the screen’s too small to see pics clearly, and I hate scrolling indefinitely to read reviews. The best thing about my pocket computer is the camera, and the only reason I’m thinking of upgrading my iPhone. It costs about the same as getting a new camera, plus I can deposit my checks (am I the only person who still gets checks?) and Instagram pictures of my latest sourdough loaf. Maybe, if I get ambitious, I’ll even use my phone to shop for a new car, one that can get Sirius radio so I can come in to this decade. 

Where do you stand with technology? Like, dislike, or kill for a Facebook update?

My previous essay on phones when I first acquired an iPhone is HERE.

More Observational essays HERE.

Essays on Writing HERE.

Essays on Reading HERE.

Movies in the Time of Pandemic

One thing the pandemic has been good for is staying in and watching movies. For me, it’s mostly older movies I’ve wanted to revisit, but hadn’t had time. Some of them replay on television, but I really, really hate being interrupted by 5 minutes of commercials. So off to Netflix and Prime and others I go. Or I look through my bookshelves of Blu-rays/DVDs and dig out a favorite. 

I like movies that have a slow build-up, that delve into character before making things explode. Movies we can talk about after they are finished. Turning on Netflix, I’m overwhelmed by choice and spend more time adding to my watchlist than actually watching. 

Running Lists

I made a list of the movies I turn to again and again. Some are old, some are newer, but not many. My tastes run to fantasy and science fiction (big surprise), musicals, drama, and opera. Period pieces are great, especially Korean, Chinese, and Japanese. The drawback – they are long, we’re talking 3 – 4+ hours long. Mini-series length. They are so engrossing, I don’t mind. 

The Blues Brothers. When I need a pick me up, that’s the movie I put on. I love musicals. I probably left a lot of them off my list, they are hard to find on television, except on PBS. Bollywood movies are usually a blast. Surprisingly, Netflix has a lot of them. I’m a sucker for Disney cartoons like Moana and Brave, although I didn’t list any Disney movies. But I’ll always watch them. I’m sure there are tons more movies I could add, but the ones listed below are some of my favorites, in no particular order. What are some of yours? What movies do you turn to when COVID makes you stay home?

My Watch List:

The Martian (AKA another “Saving Matt Damon” movie at our house)

Field of Dreams

Lord of the Rings/Hobbit

My Neighbor Totoro

Spirited Away (Okay, any Miyazaki movie)

Jaws

The Princess Bride

Aida (the Metropolitan Opera version with Violeta Urmana/Johan Botha)

Red (Mark Rothko) on Great Performances

The Lion in Winter

2001 A Space Odyssey

Apollo 13

Interstellar

Solaris

Singin’ in the Rain

Die Hard

Blade Runner

Close Encounters of the Third Kind

Monty Python and The Holy Grail

Lawrence of Arabia

Lagaan: Once Upon a Time in India (Indian)

Red Cliff (Chinese)

Seven Samurai

Hidden Figures

Major League

Blues Brothers

Slapshot

Godzilla (1954 & 2014)

The Producers

The Warrior (Korean)

The Great Battle (Chinese)

The Value of Silence in an Uncertain World

You’d think in the Time of Covid I would be scrambling to listen to music, to soothe myself with rock, classical, new age. Anything to distract from the nagging fear looming over my shoulder that the person at work not wearing a mask is going to infect me, and with my high risk status, I’m a goner despite MY mask. Music should give solace to my uptight brain. 

It didn’t work out that way. 

Sometimes I listen to 70’s and 80’s rock going to and from work. It’s mindless, it reminds me of childhood, some songs are even uplifting. It gets me through the commute without too many four-letter words. But at home or on walks, I listen to the silence. The hum of the refrigerator, the whir of a fan. Birds chirping outside the window. The wind roaring through the trees. (Wyoming has some hellacious winds, up to 35mph on a normal day. No pleasant breeze here.)  On a walk, I hear my footsteps. Children shrieking on the playground. The growl of an untuned truck engine. Easy enough to let fade into the background. 

Silence has value. 

Experience has taught me that silence is a part of the spiritual discipline of a votary of truth. Proneness to exaggerate, to suppress or modify the truth, wittingly or unwittingly, is a natural weakness of man, and silence is necessary in order to surmount it. 

Gandhi

It provides balance to a world beset by noise, 24/7. The world shoves itself in your face, demanding to be heard, looked at. Feared. Nonstop news, advertising, all demanding my attention. I feel the uncertainty I carry receding as I chose to turn off the tv, shut down the computer, and pick up a book. Or weave. Or carve a woodblock. 

Silence has energy.

“You will at once feel your senses gather themselves together; they seem like bees which return to the hive and there shut themselves up to work without effort or care on your part. 

St. Teresa

It recharges my mental batteries and relaxes my body. My mind slows down. I hear and see things I’d ordinarily pass over. As a writer, that’s a prize. As a human, it’s precious. We’ve forgotten how to find peace in our lives. Peace brings balance. The hardest thing to do is turn off the running dialogue in your head. Without the constant uproar, ideas percolate unrestrained. Poems sing through your head. Connections are made from unconnected thoughts. 

As a writer, who wouldn’t want that?

Scientifically, it helps your brain and overall health. If it all sounds very Zen, it is. And it isn’t. Each religion has a special place for silence in its practice. But you don’t need religion to help you find silence in reflection. Just a willingness to step away from the world, to disconnect for a little while. It’s hard at first, but nothing gets easier without practice. Practice being yourself. Silence can teach you that.

Listen to silence. It has so much to say. 

Rumi

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