Writing in Dual POVs (or more)

I’ve always loved Dual Point of View (POV) stories. I’m not sure why. Maybe it’s because that’s the way my favorite authors wrote. I have no problem switching characters, I can hold them and their storylines in my head readily. I thought everyone did this until I found out from another reader that they hated multiple POVs because their brain didn’t switch gears very well. They wanted a linear storyline.

Huh. 

That made me take a few steps back. I’m not a fan of first-person novels. I don’t like the intimacy. I don’t like the singular POV keeping me from knowing more. Is this how people react to multiple POVs? With exasperation? As much as I hate being trapped in a first-person POV, do they hate being trapped with multiple character’s thoughts? Let’s not even talk of alternating First Person and Third Person novels. The stuff of nightmares.

Digging Deeper

Dual and multiple POVs satisfy the need inside me to examine a story and its characters from different angles. How a character visualizes herself versus how another character sees her. The dawning realization of a character finding out the world might not revolve around them. Other people have problems, too. I like getting deep knowledge from more than one person. Everyone has secrets and it’s interesting knowing what one person is keeping from another and why. I think I’m a frustrated psychologist at heart. 

Even though I write multiple POVs, I have a primary protagonist. Their POV is the one I most readily identify with. The other POVs are the ones trying to understand the protagonist and help/hinder them. In one novel I also have the antagonist as a third POV but with less page time. My favorite writers often had far more POVs. Yes, I admit to being frustrated at times when a chapter ended and we flipped to another POV—but only because the previous chapter stopped at an exciting place. It forced me not to gulp down novels like candy. I had to learn to savor one chapter at a time. 

Ditching the Daily Grind

I used to be one of those people who slogged through a novel to the bitter end, no matter what. Now I allow myself to say it isn’t working for me and stop reading. I’m better at analyzing what made me stop reading. Since a tremendous amount of current novels are written in First Person, I know part of my problem. They are too intimate and make me uncomfortable. I dislike First Person multiple POVs even more. It’s like torture. I like the distance Third Person novels offer me, even deep third POV. Could be a neurodivergent thing. 

Maybe that’s why I like switching gears for another POV. It gives my brain a break and time to reset from its usual squirrel mode. I tried writing my latest fantasy in First Person and had to retool after three chapters. It didn’t work for me. I’m trying again with the idea for a new fantasy/superhero novel, where a First-Person POV makes sense because the whole story can be told from her POV. (I think) 

This essay has all been from my biased POV. Your Mileage May Vary. What’s your preferred voice for reading? Do you actively seek out books in that preferred voice? Or do you read whatever the wind blows your way, and deal with it?

A Meditation on Walking and Writing

The good thing about going to college was it introduced me to a lot of new ideas. I latched on to philosophy that first year and stuck with it through classes I knew nothing about but opened my eyes to experience new things. After Buddhism 101, I tried for a long time to sit still, meditate, and empty my mind. It never worked. My mind is its own special blend of ADD, PTSD, and flights of fancy. Sitting still was dangerous. Sitting was non-productive. Then my college philosophy teacher introduced me to walking meditation. 

Philosophy for the win

The philosophy department offices were in a back building on a little-used side of the campus. The building echoed when you walked around. The professors shut themselves up in their offices and read or graded, or stared at the walls. (I assumed) It was the perfect place to learn walking meditation. The upstairs hall was maybe 50 feet long. Just long enough to get into the groove before the wall triggered you to turn around and start again. 50 feet for me to concentrate on the feel of tile under my sneakers, the stretch of muscles in the back of my legs. The curiously loud sound of my breathing. 

My arms hung like bricks at my side, moving very little with each step. At first, I chanted in my head, “I’m walking down the hall, I’m walking down the hall. Left, right, left, right.” Each time my squirrel brain skittered off I reminded it I was walking down the hall. Repeat a word or phrase often enough and it becomes meaningless. White noise. Eventually, I graduated to walking around the courtyard of the building. More distractions outside for squirrel brain, but even those faded until the breeze on my face and grass under my feet became the new normal. 

Expanding horizons

Outside of school, I learned to walk in a circle around the tiny backyard of the townhouse I rented. Circles were good, walking back and forth in the hall made my turns more conscious, more military-like than I wanted. A circle, now there was my meditation home. Slow, steady walking, each step mindful, each breath relaxed. I became aware of how my heel struck the ground first, harder than my toes. 

Walking on dirt, I applied that knowledge to my footsteps in the soft ground then observed other people’s footprints and how deep the heels or toes went. Walking meditation improved my connection with nature when I went to the woods. I was aware of each step, I made less noise, which in turn let me see more wildlife. It also helped me stand still and observe without impatience. 

What’s this have to do with writing?

This is the way I approach writing, walking an idea or scene around and around in my brain until I circle in on what’s right, what matters. I’m more mindful. It’s my non-corporeal walking editing. Sitting still never gave me the images that flow through my head when I walk without a specific purpose. The good thing? The crow in me ceased to look for the next shiny object.

Now, when I feel my brain winding up to scatter, I walk back and forth, even the act of circling the living room is calming if I do it mindfully. The cat, of course, thinks I’m nuts and lounges in his window perch, watching and silently judging. As long as I don’t judge myself, I’m okay with that. He disappears into the background as I circle the room, carpet underfoot, stretch of muscle in my calf and thigh, breath lighter with each circuit. The illusion of progressive movement was all I needed to let meditation into my life and writing.

Other Essays on Writing:

Staying Afloat in a Writing Ocean

This is Your Brain on Writing

Digging Weeds from the Story Garden

Outside Links on Walking Meditation:

Instructions for Walking Meditation

Walking Meditation

How to do Walking Meditation

My WIPs Get an Intervention

Confronting Your Works In Progress

As it often happens with me, once I start writing, the writing takes over. Because I began a new Urban Fantasy and got engrossed in the Work In Progress (WIP), Poetry came pounding on the door snarling “What about me? I got ideas too, you know.” So I’d scramble to write some poetry, locking my WIP characters in their room until done. Of course, they’d shout and try to distract me until I had a sit-down with both my writing types. 

“Look you guys, I need to get work done. I understand you both want to be finished first but we need some ground rules. Novel. You are long and complicated. I can’t spit out 10,000 words a day. So be happy when I eke out 2500. I have an arc to follow, so quit trying to distract me and sneak in a love story.”

“Poetry. I know you are so close to being a chapbook you can taste it. But you have to be the best you can be. That’s why I’m writing new poems to flesh you out and solidify your theme.” Poetry puffs its chest and sticks its tongue out at Novel. “Enough of that. You’re entirely different than Novel, so it really isn’t a competition. Novel is 7 times you, so Novel needs more words. Poetry, you take as much care, however, so don’t get your panties in a twist.”

The Juggling Act

“Here’s the deal. Poetry, you get the mornings. I’ll work on you until noon. Then you retire to your computer file and unwind. Poems are better after they rest awhile, and congeal.” Poetry grimaces. “Okay, congeal is a bad word choice. That’s why I have to go slowly with you. To choose the best words in the best order.” Poetry gives a smug smile.

“Novel, you get the afternoons and evenings.” Poetry opens its mouth to snark and I hold up a hand. “Longer. Deal with it. Novel, we don’t have time to rest. I have to get your first draft down before you sidetrack me from my mission.” Novel gives a guilty look. “Hey, I know you like some side characters better, but they need to stick to their lane. I promise when you are done, the second draft will have as much hands-on attention as Poetry.” Novel sits back and nods its head.

I raise my voice. “Essay! Stop lurking outside the door.” Essay slinks into the room with a sheepish grin. “I know you don’t get as much attention as your brethren, but you have an important function also. You help me deal with reality.” Poetry and Novel snort. “Essay, you get to discuss Poetry and Novel, so don’t take their shit. All of you are important in your own way. You will all get attention, I promise.”

A knock sounds on the door. “This is Non-Fiction, are you having a meeting? Let me in.” 

“Quick, hide,” I hiss as I slam my laptop lid then raise my voice. “Sorry, no super-secret WIP intervention here. You have the wrong author. Come back next year.”

Non-Fiction gives an evil chuckle. “Next year? See you next week.”

Other Posts on Writing

Killing Pesky Cliches

Taking Inspiration by Force

The Trouble With Being a Poet

Listening to Poetry vs. Reading Poetry – Part I

Listening to Poetry vs. Reading Poetry – Part II

Looking Down to Find Yourself

The Journal Jungle

It’s Drafty in Here

Advice Paralysis

Outside Links

How to Juggle Multiple Writing Projects

Juggling Multiple Writing Projects at Once

The Benefits of Multiple Writing Projects

Finished and Starting Again

I finished my Urban Fantasy novel a couple of months ago, and incorporated some beta reader comments, cut 8000 words, tweaked grammar. All the things you need to do to finish and finalize. Finished, finished, finished. Awesome, right? Now it sits as the query letter is being smoothed over. Comp titles are a bit flummoxing. I have some, then I reread the comp book, and I wonder if it is really as close to what my story is about as I think it is. All this second-guessing makes for writing frustration.

So I started another book.

I even outlined it first. In a couple of past posts, I yammered about outlining, and being a pantser, not a plotter, before I realized why yes, I actually do outline my work. I just wasn’t calling it an outline. I wrote 8 pages of ‘This happened, then this, then the character did this, and oh, yeah, this is how it all turned out.’ 8 pages of outline. Then I wrote some scenes that came to mind after reading the outline and taking a deep breath, I opened Scrivener.

Scrivener is a word processing program and outliner. I let it intimidate me before, writing chapters in Word then dropping them in the program. It’s got a bit of a learning curve. This time, I read tutorials and played around a bit. Then I started. I used the Index card part to plug my 8-page outline into digestible chunks. It forced me to sum up what was going on, chapter by chapter. The good thing about the cards is I can move them around. My brain while reading continuous pages of text insists that’s how it should be, linear, like a novel.

Virtual 3×5 Cards

Index cards with summaries helped me see the overall flow of the novel much more easily. I sized it to nine cards on a page, out of 34 chapters, so I could take things in at a glance. (So this was storyboarding? I could work with this.) I can rearrange index cards, but figuring out how to add a blank one took me a bit. Learning curve. I did like color coding each chapter so I know whose Point of View it’s in. I found out the bad guy needs more time on the page.

Each time I opened Scrivener, I wanted to flee back to Word, but I resisted the impulse. I do a lot of my writing in Google Docs and Word because they are familiar. How many times do we stick with the familiar instead of branching out? I promised myself I’d try writing chapters in Scrivener. I do like the ability to have nothing but a big, blank page showing on the screen. (For some reason, Word’s ribbon feature draws my eye. It has toys. My downfall.)The blank page has never intimidated me. I just jump in and worry about organization later. Pantser instincts never die.

Is my outline finished? Urm, no. Every time I read it, I tighten it up, add things in, and try to pinpoint conflict. Little by little, I become more comfortable with outlining, and it’s even helped me on the previous Urban Fantasy query letter. The only drawback I see to this is carrying all those characters from multiple books in my head. I guess as long as no fistfights break out, I’ll be able to finish one book and write the other. Writers out there, have you tried a new process? How did it go? What’s your outlining method?

Links to Past Posts on Writing:

This is Your Brain on Writing

Pulling Words Apart

Ignoring Writing Advice

Revising 101 (Housekeeping)

A Few Words on Revision

Link to Scrivener

Links to outlining methods:

Finding the Novel Outlining Process That Works for You

7 Ways to Write a Plot Outline

12 Great Ways to Outline a Novel

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