My WIPs Get an Intervention

Confronting Your Works In Progress

As it often happens with me, once I start writing, the writing takes over. Because I began a new Urban Fantasy and got engrossed in the Work In Progress (WIP), Poetry came pounding on the door snarling “What about me? I got ideas too, you know.” So I’d scramble to write some poetry, locking my WIP characters in their room until done. Of course, they’d shout and try to distract me until I had a sit-down with both my writing types. 

“Look you guys, I need to get work done. I understand you both want to be finished first but we need some ground rules. Novel. You are long and complicated. I can’t spit out 10,000 words a day. So be happy when I eke out 2500. I have an arc to follow, so quit trying to distract me and sneak in a love story.”

“Poetry. I know you are so close to being a chapbook you can taste it. But you have to be the best you can be. That’s why I’m writing new poems to flesh you out and solidify your theme.” Poetry puffs its chest and sticks its tongue out at Novel. “Enough of that. You’re entirely different than Novel, so it really isn’t a competition. Novel is 7 times you, so Novel needs more words. Poetry, you take as much care, however, so don’t get your panties in a twist.”

The Juggling Act

“Here’s the deal. Poetry, you get the mornings. I’ll work on you until noon. Then you retire to your computer file and unwind. Poems are better after they rest awhile, and congeal.” Poetry grimaces. “Okay, congeal is a bad word choice. That’s why I have to go slowly with you. To choose the best words in the best order.” Poetry gives a smug smile.

“Novel, you get the afternoons and evenings.” Poetry opens its mouth to snark and I hold up a hand. “Longer. Deal with it. Novel, we don’t have time to rest. I have to get your first draft down before you sidetrack me from my mission.” Novel gives a guilty look. “Hey, I know you like some side characters better, but they need to stick to their lane. I promise when you are done, the second draft will have as much hands-on attention as Poetry.” Novel sits back and nods its head.

I raise my voice. “Essay! Stop lurking outside the door.” Essay slinks into the room with a sheepish grin. “I know you don’t get as much attention as your brethren, but you have an important function also. You help me deal with reality.” Poetry and Novel snort. “Essay, you get to discuss Poetry and Novel, so don’t take their shit. All of you are important in your own way. You will all get attention, I promise.”

A knock sounds on the door. “This is Non-Fiction, are you having a meeting? Let me in.” 

“Quick, hide,” I hiss as I slam my laptop lid then raise my voice. “Sorry, no super-secret WIP intervention here. You have the wrong author. Come back next year.”

Non-Fiction gives an evil chuckle. “Next year? See you next week.”

Other Posts on Writing

Killing Pesky Cliches

Taking Inspiration by Force

The Trouble With Being a Poet

Listening to Poetry vs. Reading Poetry – Part I

Listening to Poetry vs. Reading Poetry – Part II

Looking Down to Find Yourself

The Journal Jungle

It’s Drafty in Here

Advice Paralysis

Outside Links

How to Juggle Multiple Writing Projects

Juggling Multiple Writing Projects at Once

The Benefits of Multiple Writing Projects

Finished and Starting Again

I finished my Urban Fantasy novel a couple of months ago, and incorporated some beta reader comments, cut 8000 words, tweaked grammar. All the things you need to do to finish and finalize. Finished, finished, finished. Awesome, right? Now it sits as the query letter is being smoothed over. Comp titles are a bit flummoxing. I have some, then I reread the comp book, and I wonder if it is really as close to what my story is about as I think it is. All this second-guessing makes for writing frustration.

So I started another book.

I even outlined it first. In a couple of past posts, I yammered about outlining, and being a pantser, not a plotter, before I realized why yes, I actually do outline my work. I just wasn’t calling it an outline. I wrote 8 pages of ‘This happened, then this, then the character did this, and oh, yeah, this is how it all turned out.’ 8 pages of outline. Then I wrote some scenes that came to mind after reading the outline and taking a deep breath, I opened Scrivener.

Scrivener is a word processing program and outliner. I let it intimidate me before, writing chapters in Word then dropping them in the program. It’s got a bit of a learning curve. This time, I read tutorials and played around a bit. Then I started. I used the Index card part to plug my 8-page outline into digestible chunks. It forced me to sum up what was going on, chapter by chapter. The good thing about the cards is I can move them around. My brain while reading continuous pages of text insists that’s how it should be, linear, like a novel.

Virtual 3×5 Cards

Index cards with summaries helped me see the overall flow of the novel much more easily. I sized it to nine cards on a page, out of 34 chapters, so I could take things in at a glance. (So this was storyboarding? I could work with this.) I can rearrange index cards, but figuring out how to add a blank one took me a bit. Learning curve. I did like color coding each chapter so I know whose Point of View it’s in. I found out the bad guy needs more time on the page.

Each time I opened Scrivener, I wanted to flee back to Word, but I resisted the impulse. I do a lot of my writing in Google Docs and Word because they are familiar. How many times do we stick with the familiar instead of branching out? I promised myself I’d try writing chapters in Scrivener. I do like the ability to have nothing but a big, blank page showing on the screen. (For some reason, Word’s ribbon feature draws my eye. It has toys. My downfall.)The blank page has never intimidated me. I just jump in and worry about organization later. Pantser instincts never die.

Is my outline finished? Urm, no. Every time I read it, I tighten it up, add things in, and try to pinpoint conflict. Little by little, I become more comfortable with outlining, and it’s even helped me on the previous Urban Fantasy query letter. The only drawback I see to this is carrying all those characters from multiple books in my head. I guess as long as no fistfights break out, I’ll be able to finish one book and write the other. Writers out there, have you tried a new process? How did it go? What’s your outlining method?

Links to Past Posts on Writing:

This is Your Brain on Writing

Pulling Words Apart

Ignoring Writing Advice

Revising 101 (Housekeeping)

A Few Words on Revision

Link to Scrivener

Links to outlining methods:

Finding the Novel Outlining Process That Works for You

7 Ways to Write a Plot Outline

12 Great Ways to Outline a Novel

Genre Reading and Writing. Arithmetic Free.

Book Love

When it came time to choose a genre to write in I chose fantasy. As a longtime reader of Fantasy, Scifi, and everything in between, it seemed a natural fit. I was a latecomer to women’s literature and romance. It didn’t hold me the way fantasy did, although I like some romance in my fantasy, and not just Mage/queen/plucky necromancer meets heroic other, falls in love, and produce intrepid little sorcerers. 

I love the big, sprawling messiness of a good fantasy story. The world so different from ours, yet populated by the same type of people with the same problems. How to escape evil, which magical academy to attend, how to pacify rampaging dragons, and oh yes, love among the smoking ruins of a just razed village. 

Not a big fan of dystopian fiction, I must admit. It’s depressing to think of all the ways civilization could go wrong. The survivors – because it’s always lucky by birth survivors – trudging through a ravaged landscape, rummaging through hollowed-out Wal-marts for food and bullets. Fighting off others of their kind to rise to the top of their pathetic food chain. No groups ever join together to try to make their lot in life better, to try and jump-start an improved civilization unlike the one that got them into this mess in the first place. Are we that narrow-minded a species?

Don’t answer that.

I do have a space opera novel I worked on and it’s sitting in limbo. It falls prey to the things I hate about dystopian novels, hence my reluctance to go on with it. Time to strip it down for parts. Apparently, though, doom, doom, doom makes for good reading. I do like exploring other worlds and cultures in sci-fi also. Big problem there is the vastness of space and zooming around in it. I get hung up on the technical (im)possibilities because I know just enough science to be skeptical, but not enough to make everything plausible. Which is probably why I chose space opera rather than hard science sci-fi. Much easier to hand-wave the science like a Jedi excusing droids than get lost in the physics. Even though I do love me some physics. 

Romance novels both fascinate and repel me. There’s something to be said for the formulaic model and a HEA (Happily Ever After) at the end. Maybe it’s the optimist in me, wanting the world to turn out for the better. The cynic whispers in the back of my mind, you think real life is like this? Ha! Have I got news for you. Romance dies under the weight of children, laundry, and whose turn it is to mow the backyard. 

Which leaves women’s fiction, formerly called ‘chick lit’. About women, mostly written by women. A lot of it is depressing as hell, chronicling modern-day problems in a long, and death marchy manner. Dead/missing children, cancer, parents with dementia. Why do I subject myself to that? Because it’s real. I guess I can’t live on fantasy alone, and sometimes need to come down from my dragon-patrolled castle and deal with life before I scurry back to my fairy fortified citadel.

All of these genres figure into my fantasy writing, however. I like building worlds, I like creating creatures, but I also like my characters to want love along with their magical abilities. Perhaps love helps or hinders their abilities. Or captures the unicorn. Or saves a kingdom. Or destroys it utterly. The people in fantasyland have the same problems you and I have; we just can’t use magic or a sharp sword to solve them. Although it would be oh so satisfying to turn your boss into a spotted hog-sloth. 

My heroines and heroes are your everyday folk who just happen to be caught up in something bigger than they are. Reluctantly shoved into saving the world, they rise to the occasion or give it their best shot while dodging death. This is what I want out of the real world. Since we, as a society, currently can’t have nice things, I want to write stories about a world where it can happen. And once my letter from Hogwarts gets here, watch out. I’m going to change the world.

On Berating My Obstinacy and Resolving to Try Something Different

Mule

I reread my last blog post and thought, man, what mule-headed stubbornness. Is that really me? Turns out it is. So my goal the past few weeks was to do some research into what I disdain in writing advice, and find a way to give it a try. I researched some authors I like, that offer classes and books on the very things I don’t like to do. I read through every page of their website, read their philosophies, and picked one I thought I would be able to work with.

Cautiously optimistic, I bought a writing e-book by the author and dug in. Right in the first chapter I ran up against my prejudice. It had exercises. Exercises that were intended to make me do things. I think exercises are useless, I should be using my limited writing time to work on my novel. Write, write, write, right?

Turns out there is a reason for these exercises. To make my pea brain stretch, and think beyond my novel to the future. Where I want to be instead of where I am, and drill down to what my novel is about. When did I get so prejudiced against homework? I was a book and art nerd in high school, doing my homework and even extras for the sheer joy of learning. When did I lose that?

Turns out it wasn’t lost, just buried deep beneath a layer of inexperience and attitude. In trying so hard to convince myself I could do this, I convinced myself I knew HOW to do this. One of these things is not like the other.

So I cautiously printed out the exercise pages from the pdf, and began to read the damn directions. I did the exercises. In order. (A first.) I actually got excited to write a scene to the specified criteria. (Of course I had to stop in the middle to research exactly what shade of brown I needed to describe. For the record, it was Raw Umber.) I was pretty happy with the scene I wrote. So happy I’m thinking it needs to go in the novel and I know just where to put it.

You’ll be pleased to know, I’m 2/3 less stubborn about writing advice than when I started. There’s some things I still have a difficult time believing is going to help. But I won’t discard the advice, until I give it a try or two. What works might not be readily apparent at first impatient glance. If it still doesn’t work for me, why then I’ll fold the exercise into an origami mule, and place it by my computer as a reminder.

Sometimes you just have to slap your own hand, loosen the reins, and gallop wildly forward, careening over half-baked, rainbow hued obstacles until you crash through the brick wall.

Or is that just me?

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