A Meditation on Walking and Writing

The good thing about going to college was it introduced me to a lot of new ideas. I latched on to philosophy that first year and stuck with it through classes I knew nothing about but opened my eyes to experience new things. After Buddhism 101, I tried for a long time to sit still, meditate, and empty my mind. It never worked. My mind is its own special blend of ADD, PTSD, and flights of fancy. Sitting still was dangerous. Sitting was non-productive. Then my college philosophy teacher introduced me to walking meditation. 

Philosophy for the win

The philosophy department offices were in a back building on a little-used side of the campus. The building echoed when you walked around. The professors shut themselves up in their offices and read or graded, or stared at the walls. (I assumed) It was the perfect place to learn walking meditation. The upstairs hall was maybe 50 feet long. Just long enough to get into the groove before the wall triggered you to turn around and start again. 50 feet for me to concentrate on the feel of tile under my sneakers, the stretch of muscles in the back of my legs. The curiously loud sound of my breathing. 

My arms hung like bricks at my side, moving very little with each step. At first, I chanted in my head, “I’m walking down the hall, I’m walking down the hall. Left, right, left, right.” Each time my squirrel brain skittered off I reminded it I was walking down the hall. Repeat a word or phrase often enough and it becomes meaningless. White noise. Eventually, I graduated to walking around the courtyard of the building. More distractions outside for squirrel brain, but even those faded until the breeze on my face and grass under my feet became the new normal. 

Expanding horizons

Outside of school, I learned to walk in a circle around the tiny backyard of the townhouse I rented. Circles were good, walking back and forth in the hall made my turns more conscious, more military-like than I wanted. A circle, now there was my meditation home. Slow, steady walking, each step mindful, each breath relaxed. I became aware of how my heel struck the ground first, harder than my toes. 

Walking on dirt, I applied that knowledge to my footsteps in the soft ground then observed other people’s footprints and how deep the heels or toes went. Walking meditation improved my connection with nature when I went to the woods. I was aware of each step, I made less noise, which in turn let me see more wildlife. It also helped me stand still and observe without impatience. 

What’s this have to do with writing?

This is the way I approach writing, walking an idea or scene around and around in my brain until I circle in on what’s right, what matters. I’m more mindful. It’s my non-corporeal walking editing. Sitting still never gave me the images that flow through my head when I walk without a specific purpose. The good thing? The crow in me ceased to look for the next shiny object.

Now, when I feel my brain winding up to scatter, I walk back and forth, even the act of circling the living room is calming if I do it mindfully. The cat, of course, thinks I’m nuts and lounges in his window perch, watching and silently judging. As long as I don’t judge myself, I’m okay with that. He disappears into the background as I circle the room, carpet underfoot, stretch of muscle in my calf and thigh, breath lighter with each circuit. The illusion of progressive movement was all I needed to let meditation into my life and writing.

Other Essays on Writing:

Staying Afloat in a Writing Ocean

This is Your Brain on Writing

Digging Weeds from the Story Garden

Outside Links on Walking Meditation:

Instructions for Walking Meditation

Walking Meditation

How to do Walking Meditation

Pulling Words Apart to Smash Writing Together

I’ve been largely silent for a while from having a whole lot of editing on my plate. 2 novels and a chapbook of mine, things from other people, working on Gyroscope Review and the Press. Good thing I like editing. As much fun writing a new novel is, I really get into the flow when I settle in to edit. Multiple passes with multiple purposes. Right now, I’m eradicating weasel words from my novels. You know, words like “that” and “just” and “be able”, baggage words adding little to your prose because they’re part of our everyday speech and sneaky as hell.

Editing the novels also helps me edit poetry. The same thing happens there, lazy, non-freight bearing words creep in and somehow duck, dodge, and evade the editor’s knife. I’ve resorted to spacing poem lines 3-4 spaces (or more) apart, so I can only see one line at a time. It helps me find the bumpy places. It also forces me to think about what form I want the poem to take when it has no form at the moment. And still, unneeded words evade me. It’s nice when my writer’s group sees the problems in my blank spots. Then I can go about fixing them. The recommendations aren’t always in line with my vision, but they provide excellent ideas for revision.

I have a habit of not letting my work out to beta readers until it’s mostly done. I know you are supposed to get novels out to beta readers sooner, in case of plot holes, but I want my work as tight as I can get it before flinging it into the world. Then, if a plot hole needs to be patched, the whole novel is fresh in my mind and I can (usually) backfill and spackle over fairly easily. I know this method will probably come back and bit me in the butt someday. Most things do.

Trying Something New

It’s why I’ve come around to doing better outlines. Previous outlines have consisted of paragraphs of “this happens, then this, then this” and 10,000 words of backstory to help me find my way. I like my method and it works for me, but I see where a bit more stringent outlining will speed things along. I have an outline for editing. A checklist of stuff to evaluate and correct. Like weasel words. I’ve made one for editing poetry also, trying to address my blind spots. It’s a good method to try.

I know a lot of writers who only tolerate the editing stage of writing. I like editing, I think it comes from being an artist. I love the process, I’m a process person, not a project person. (Which doesn’t bode well for novel endings. Alas.) Teach me something new, and I’ll happily spend time puzzling it out. That’s what editing is to me, a great, big puzzle, or the boss level of a video game. What is editing like for you? I’m curious about other people’s methods—poetry, essay, or novel. What gets your editing brain in gear? Any advice?

Some of my other essays on editing:

Revising 101 (Housekeeping)

A Few Words on Revision

Self-Inflicted Wounds – Revising Poetry, Part I

Telling Little Stories – Revising Poetry, Part II

Here are some outside links to articles on weasel words in writing

Rocky Mountain Fiction Writers

The Wright Practice

Outside Links to Editing:

25 Rules for Editing Poems

The 12-Point Checklist for Poetry Editing

The Ultimate Fiction Editing Checklist

Fiction University

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