Ignoring Writing Advice

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Ignoring Writing Advice

I’ve never been much for following the rules. Which may or may not be why it takes me a year or more to write a novel. There is so much advice out there on how to get started, how to write, how to edit, etc. that is sometimes contradictory. I’ve sifted through the Internet, bought books, and quizzed author friends. Worksheets abound on outlining, beats, plotting, character development, character motivation, scenes, POV, world building, query, synopsis and more story ideas than you can shake a computer mouse at.

Eh.

I’m a pantser. I tried being a plotter, I really did. It didn’t work for me. I went back to pantsing, and I’m much happier. I prefer to do all my organizing afterwards. Which may not be the best way, but it’s the way I like, and it may take longer. It works for me. It may drive me crazy at times, because conventional advice insists you do certain things at certain times in the noveling process. Good luck with that.

I jump right in, feet first, without looking to see if there are rocks below. I have an idea, it’s usually is in my head a year or two before I start writing. I ponder the characters, run scenarios through my mind, over and over. I play the ‘What If’ game. I love the What If game. I love circling around and around ideas until the story firms in my mind. Or turns to Jello.

Then I write.

I sit down and write frantically, from beginning to end, seeing where the story takes me. Then I rewrite. Then I do a third draft, fine tuning. I’ve been informed this is not the way to do it. That I waste a lot of time with the rewrites. I probably do. For me, it’s like building a sculpture. I smooth layers of clay over the foundation, and little by little the form emerges. Sometimes things jump out at me like a boogeyman from the closet. Other times it’s the drip-drip of a leaky faucet.

In my current novel, the first draft was in first person. Reading it through, I realized the story wasn’t solely about her, and another character needed his time on stage. Demanded it. Since I hate multiple first person POV novels, I changed it to third person, and immediately felt more comfortable. My other novels are in third person, that’s my happy place. I always wanted to try first person, and now I feel I can do it. When the right character comes along and is greedy enough not to share stage space.

So, rules. Like making up a character sheet for each character—I don’t do them. I carry the characters in my head, (it gets crowded in there). The problem with character sheets, is, they’re not made for fantasy characters. I suppose you could twist them to fit, but the character’s magic ability, and what effect it has on them and the world needs to be addressed. So I made up my own character sheet of sorts for fantasy folks. And quit using it as soon as I figure out the elements that fit the story. Yes, they are useful for things like height-weight, eye color, hair color and the like. But I’ve never ‘interviewed’ my characters, or built a character arc step by step according to formula. After a year of thinking, I know what they want, where they start, and where they should end up. Figure out what works, and go from there. Doesn’t work? Toss it in the cut file. For me, it’s all about the journey.

What am I trying to say? To quote Fleetwood Mac, “Go your own way”. It could be messy, it could explode in your face. It could take time. It could be a hell of a lot of fun. That’s why I’m in it, for the fun of creating my own world, and populating it with characters I like. Or hate. And guess what? Most of my characters don’t follow the rules, either.

Imagine that.

Insulated Writing

There is another side to being a writer that seldom gets talked about. Writing as a form of insulation. Mass shootings, government in a death spiral, racism run amok. All these things make keeping a clear head for writing your novel difficult, even when you attempt to avoid the news, as I do. But the churning is insipid, creeping in through waiting room television, the radio in stores, from coworkers and strangers in line at the grocery.

What’s a writer to do?

Plunge into the world of your novel and don’t come up for air. Insulate yourself from the outside world by concentrating on your world and characters. (Although if you are writing something political and contemporary, you’re pretty much screwed. Sorry. )

I safely insulated myself in the head of my protagonist, concentrating on what drove her and her various predicaments. All well and good, until I found out my insulation wasn’t air tight. Or world tight. News from the outside crept into my character, until there were a few dark turns and talks I never intended. It leaves you wondering, did that really come from me? Should I be keeping my characters in cotton wool? Why won’t the world leave me the hell alone, can’t it see I’m busy creating?

I didn’t want the outside world influencing my story. I want a blanket fort, with me inside, typing away. I want to be oblivious, so caught up in my fantasy world that coming back to reality would be a shock. I want to live elsewhere. Or elsewhen.

It doesn’t work that way. The world doesn’t care what I want. It insists I be more aware, open my eyes, look around, and oh, yeah, I need to tear away that insulation. Let some dirt in on my pristine novel. It will be better for it. And for me. I acquiesce, and throw my blanket fort back on the bed.

Bring it world. My protagonist has magic. And so do I.

 

Writing Torrent

Well, I’ve been gone a while I see. But it was for a good reason. I’ve been writing. No poems this time, I had an idea for a new novel so I dove right in and had my own personal NaNoWriMo. Except this one took 6 weeks for 50,000 words. Yeah, hard for me to believe, too. I’ve been averaging around 8000 words a week. When you’re on a roll, you’re on a roll. You don’t want to break the streak.

I’m doing the seat of the pants method. I have a loose story idea, and I’m just spilling words out on the page in a somewhat linear fashion. No going back, except to read what I wrote the previous day to get back onto the mood of the story. Keep chanting, ‘It’s a rough draft, no need to be perfect.”. Full speed ahead. Any ideas for a previous part I realize get jotted down in my notes section to be slotted in or unfolded when the time for revision is at hand.

Forward, ever forward. I have a good handle on the main protagonist. Her and her sidekick sprung forth, full blown, from my writer’s mind. It’s good to feel like Zeus. The bad guys are taking shape and form, they’ve already started to make the protagonist’s life miserable. The secondary characters spoke up and demanded places in the story. My head is full, trying to empty it out onto the page.

Poetry, alas, has taken somewhat of a back seat. It’s still moving forward, a line at a time, thanks to the collaborations I’m doing with Kathleen Cassen Mickelson. (Thanks, Kath.)  In a way, that’s a good thing. It forces me to really concentrate on one line at a time. And the time off from poetry will help clear my head so when I go back to editing poems, it will be with new eyes. So here’s to new work, walking up in the morning with scenes in my head, and a fantasy novel desperate to be born. What’s new with you in the writing realm?

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