Category: Writing

Advice Paralysis

Essay / Writing

How’s your writing going? How’s your quarantine going? How are you doing today? 

I finally identified my current writing problem. Instruction fatigue that leads to paralysis. I’m editing a novel as I try to write more poetry. I’m using search and replace to search and destroy insidious words. Good advice I read somewhere. Normally, I would embrace what I can use, discard the rest. I enjoy helpful advice. 

Usually.

Since all the writers are stuck at home, advice is gushing out to blogs and writing sites like water from a fire hose. Everyone has the time to advise right now. “Write All The Things!” Advice flies at me every time I open my email or browse to my favorite sites. At first, it seemed good. I gulped the gushing water. Then I tried to apply it to my own work. That’s when I choked. Contradictions rattled in my brain. Do this, not that. Do that, not this. Write, no, write more. Wear a mask. Wear two masks. Wrap duct tape around your face and wear a welding shield. Don’t touch your face. Don’t touch anything. Don’t breathe, it’s safer. But despite that, write. 

Tons of articles appeared on how to use this stay at home time to your advantage, most of them exhorting you to not waste time and get that Great American Novel (or Poem) in the works. Sort of NaNoWriMo, the Pandemic Version. It can guilt-trip people frozen in place by everyday fears—money, food, rent, worry about loved ones. The numbered “C” that has replaced the Big C. Getting through the day seems more important than getting Sylvia out of the murder house and on the run for her life. 

It’s a dystopian novel that sprung to life. Kudos to those who can keep plugging on despite the looming end of the world as we know it. (Too much?) I struggle to do any real editing of my novel, other than nit-picky stuff—eradicating weasel words like “that” and “would”. My poetry has undertones of despair. Even a poem about a flower ends with its death. I’m afraid to edit previous work because of this. I’m trying to pull up my bootstraps and accept writing isn’t coming from a happy place right now.

I don’t want to journal. Meditating is not the answer to all problems. Hurtling an asteroid into Earth seems like a good place to end a sci-fi novel.

Must Not Give In To Annihilating Humanity. 

Find inspiration where you can. Don’t worry if you can’t. 

That’s all I’ve got right now. I venture out the door to my “essential” (sacrificial) job with the public that leaves me fearful I’ve caught coronavirus every time I leave at five. That I’ve brought it home to my family. Writing needs to be a safe space. Not swallowing the fire hose of advice is now refuge from my tendency to beat myself up over not producing more, since I’m stuck in the house when I’m not at work. 

Advice is a sign of the times. It’s a cozy blanket fort offered up as salve to our burning fears. It wants to distract us from the underlying terror that something bad is going to happen and we’re helpless to stop it. I like to be in control of my world and damn it, the world is spinning out of control. I’m embracing the paralysis by easing away from social media and the news. I’m baking bread. Writing ideas in a notebook with my favorite pen. Petting the dog. Reading everything I can get my hands on. Paralysis retreats inch by inch. By the weekend, I’m ready to write again and send my plaintive “How are you doing today?” out into the world once more. 

Revising 101 (Housekeeping)

Essay / Writing

The most important thing to revision? Buy lots of ink cartridges and printer paper. You might be tempted to skip this step. Don’t. This applies to both novels and poetry. Print that sucker out. I know, I know, it seems like a PITA to use all that ink and paper on something you just know is perfection. 

Trust me, it’s not. Errors are insidious, from little things like the word ‘out’ instead of ‘our’. Hard to spot. Or transposed letters because your eyes crossed when reading that particular section. Or words just flat missing. My favorite in my work is prepositions that go AWOL. Those suckers scatter like roaches when you turn on the light. 

Go Big or Go Home

The advice I scoffed at—at first—was to change the font of the work to something totally different, and enlarge. So I changed from Times New Roman to Arial. To Calibri. I still missed things. But when I changed it to Comic Sans 14 point. Oh, My. Errors stood out with big flashing signs. “You screwed up here! Notice me! (Pick the ugly font of your choice. It works.)

It takes a lot of paper to do this. I could use my novel as a doorstop. Or a firestarter. Somedays, it’s Burn, Baby, Burn first and foremost in my brain. Oh, and paperclip every chapter together. Or bull clip it, or put in separate labeled file folders in a drawer. Because when you drop it—and you will—frantic sobbing won’t put things back in order. Neither will the cat that chooses that moment to walk over it and sharpen his claws on stray sheets. 

If you hole punch after editing each page and put it in a binder, make sure you empty your hole punch sooner rather than later. Because if you accidentally knock the tray off, little white circles go everywhere. You’ll be finding them for months. They defeat the suckiest of vacuum cleaners. You could always sprinkle catnip over it, and hope your static-y cat rolls in them and picks a bunch up. Then you can vacuum the cat. 

Let me know how that works out. 

What are your housekeeping revision tips?

Poetry Submissions for the Rest of Us

Essay / Writing

So, I’ve been reading submission guidelines while I search for places to home my poetry. A lot of them leave me scratching my head. 

“We want poetry that makes our heart go POW and our head pop off the stem of our neck spouting blood like a geyser. We want work that zings our strings and causes a rabid dog to bay at the moon. Send us work that has the diversity of fungal infected wildflowers and the factory installed parts of a slightly used car. Come whiffling through the tulgey wood, and burble as you come, with thematic intent.”

WTF?

All I really want to know is whether the magazine wants free verse, forms, more traditional, prose poems, experimental, or political. Do they consider rhyming poetry? Non-traditional? Edgy? Short? Long? Tattooed on your left hand? How can you tailor your work to the magazine when you can’t decipher the code? Back issues don’t always help.

I’ll take utterly clueless for $500, Alex.

Maybe my poetry magazine to poet translator is busted. 

Maybe I’m getting old. 

Maybe I should stick to writing fantasy. 

Maybe I just throw my poetry at the submissions wall and see what sticks. Yep, I like this option. 

(And when I do find a place for my work)—

“And hast thou slain the Jabberwock?

      Come to my arms, my beamish boy!

O frabjous day! Callooh! Callay!”

      She chortled in her joy.

Genre Reading and Writing. Arithmetic Free.

Essay / Writing
Book Love

When it came time to choose a genre to write in I chose fantasy. As a longtime reader of Fantasy, Scifi, and everything in between, it seemed a natural fit. I was a latecomer to women’s literature and romance. It didn’t hold me the way fantasy did, although I like some romance in my fantasy, and not just Mage/queen/plucky necromancer meets heroic other, falls in love, and produce intrepid little sorcerers. 

I love the big, sprawling messiness of a good fantasy story. The world so different from ours, yet populated by the same type of people with the same problems. How to escape evil, which magical academy to attend, how to pacify rampaging dragons, and oh yes, love among the smoking ruins of a just razed village. 

Not a big fan of dystopian fiction, I must admit. It’s depressing to think of all the ways civilization could go wrong. The survivors – because it’s always lucky by birth survivors – trudging through a ravaged landscape, rummaging through hollowed-out Wal-marts for food and bullets. Fighting off others of their kind to rise to the top of their pathetic food chain. No groups ever join together to try to make their lot in life better, to try and jump-start an improved civilization unlike the one that got them into this mess in the first place. Are we that narrow-minded a species?

Don’t answer that.

I do have a space opera novel I worked on and it’s sitting in limbo. It falls prey to the things I hate about dystopian novels, hence my reluctance to go on with it. Time to strip it down for parts. Apparently, though, doom, doom, doom makes for good reading. I do like exploring other worlds and cultures in sci-fi also. Big problem there is the vastness of space and zooming around in it. I get hung up on the technical (im)possibilities because I know just enough science to be skeptical, but not enough to make everything plausible. Which is probably why I chose space opera rather than hard science sci-fi. Much easier to hand-wave the science like a Jedi excusing droids than get lost in the physics. Even though I do love me some physics. 

Romance novels both fascinate and repel me. There’s something to be said for the formulaic model and a HEA (Happily Ever After) at the end. Maybe it’s the optimist in me, wanting the world to turn out for the better. The cynic whispers in the back of my mind, you think real life is like this? Ha! Have I got news for you. Romance dies under the weight of children, laundry, and whose turn it is to mow the backyard. 

Which leaves women’s fiction, formerly called ‘chick lit’. About women, mostly written by women. A lot of it is depressing as hell, chronicling modern-day problems in a long, and death marchy manner. Dead/missing children, cancer, parents with dementia. Why do I subject myself to that? Because it’s real. I guess I can’t live on fantasy alone, and sometimes need to come down from my dragon-patrolled castle and deal with life before I scurry back to my fairy fortified citadel.

All of these genres figure into my fantasy writing, however. I like building worlds, I like creating creatures, but I also like my characters to want love along with their magical abilities. Perhaps love helps or hinders their abilities. Or captures the unicorn. Or saves a kingdom. Or destroys it utterly. The people in fantasyland have the same problems you and I have; we just can’t use magic or a sharp sword to solve them. Although it would be oh so satisfying to turn your boss into a spotted hog-sloth. 

My heroines and heroes are your everyday folk who just happen to be caught up in something bigger than they are. Reluctantly shoved into saving the world, they rise to the occasion or give it their best shot while dodging death. This is what I want out of the real world. Since we, as a society, currently can’t have nice things, I want to write stories about a world where it can happen. And once my letter from Hogwarts gets here, watch out. I’m going to change the world.

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